Indoor and outdoor LED video walls, engineered and operated by our own crew. Pixel pitch P1.5 through P10, 24-hour response, one bill, one team on site through strike.
We stock indoor, outdoor, custom-geometry, and mobile LED inventory in LA — so a same-week booking doesn't depend on a sub-rental phone tree. Every wall ships with processors, rigging, and an operator who has built it before.
Fine-pitch P1.5 through P3.9 panels for stages, broadcast sets, corporate keynotes, and brand activations. High contrast, accurate color, low fan noise. Configurable from a 6 ft DJ riser up to a 40 ft mainstage wall.
IP65-rated P3.9, P4.8, and P6.9 panels that handle direct sun, rain, and wind load. 5,000+ nit brightness for daytime visibility. Built for festivals, brand pop-ups, sports activations, and any wall that lives past the loading dock.
Curved walls, transparent screens, floor and ceiling installs, wraparounds, and bespoke shapes. We build to your render. Frame fabrication, signal mapping across non-rectangular surfaces, and panel calibration handled in-shop before truck call.
Self-contained LED trailers — drop, deploy, and run. Ideal for street activations, sponsor takeovers, sports tailgates, and remote shoots. Hydraulic lift, onboard generator option, and a wall live within an hour of arrival at site.
Pixel pitch is the gap between LED dots in millimeters. Smaller pitch reads sharp closer to the wall — and costs more per square foot. The rough rule: minimum clean viewing distance in feet equals the pitch in millimeters. Here's how that maps to real LA event scenarios.
| Pixel Pitch | Min. Viewing Distance | Typical Use Case | Where We Deploy |
|---|---|---|---|
| P1.5 | 5 ft | Broadcast set walls, XR volumes, in-camera VFX backgrounds, executive boardroom video | Film stages, broadcast studios, corporate keynote IMAG |
| P2.6 | 8 ft | Close-quarters stages, fashion runways, museum installs, intimate brand activations | Boutique launches, gallery shows, podcast sets, runway shows |
| P2.9 | 10 ft | Conference general sessions, large indoor stages, panel backdrops | Convention centers, theater stages, corporate ballrooms |
| P3.9 | 13 ft | Large indoor stages, club walls, indoor festival side screens, outdoor sheltered installs | Music venues, club stages, ballroom mainstages |
| P4.8 | 16 ft | Outdoor stages with audience back from the rail, sponsor zones, retail signage | Festival mainstages, outdoor concerts, brand activations |
| P6.9 | 22 ft | Wide outdoor stages, sponsor walls at a distance, large LED billboards | Festivals, sports activations, parking lot pop-ups |
| P10 | 30+ ft | Mainstage festival IMAG screens, building-side advertising, far-back arena walls | Festivals, sports venues, building wraps |
Pitch tier affects price — fine-pitch P1.5 and P2.6 run roughly 1.5x to 2x the per-square-foot cost of P3.9.
Not sure? → Run the LED Wall CalculatorNot every wall is a flat rectangle behind a band. Here's what we actually build, how it behaves, and where it earns its keep.
The workhorse. Fine-pitch panels — P2.6 to P3.9 — assembled in flown or ground-stacked configurations from 10x6 ft up to 40x20 ft. Indoor walls have higher contrast, lower fan noise, and faster pixel response than outdoor units. We use them for concerts, conference general sessions, brand launches, and any indoor stage where the audience sits closer than 25 ft. Power draw is moderate and rigging weight stays manageable on standard truss loads.
IP65-rated panels engineered for direct sun, rain, and wind. Brightness is the headline spec — 5,000 to 7,500 nits keeps the image readable at noon. We typically deploy P3.9 to P6.9 outdoors, since viewing distance is longer and the brightness penalty for finer pitches isn't worth it. Outdoor walls need ground support or certified rigging rated for wind load, IP-rated power inputs, and weather monitoring. We bring all three.
Concave, convex, or full 270-degree wraps. Curved walls pull the audience into the visual and read taller in tight rooms because they hide their edges. We build curves from standard panels using locking corner brackets, plus custom-fabricated frames for tighter radii. Signal mapping across the curve happens in the processor — content gets pre-warped at load, so you never see panel seams on screen. Common for fashion shows, immersive activations, and gallery installs.
Strip-based LED that you can see through — typically 50 to 80 percent transparency. The signature use case is over a stage that still needs to look open, or in a venue where blocking sightlines kills the experience. Transparent walls work best for graphic content, logos, and motion patterns rather than photo-real video, because the see-through gaps soften detail. Lighter than solid panels and easier to rig in venues with strict load limits.
Walkable LED panels rated for crowd load — usually 1,500 lbs per square foot of distributed weight. We tempered the surface and add anti-slip film for dance and standing crowds. Floors are the most-requested install for high-end weddings, brand activations, and award show stages. Pair with a synced wall for full immersive content, or run as a standalone graphic floor. For the deep build see our LED dance floor rental page.
Overhead LED hung from truss or rigged to venue grid — usually paired with a back wall for full-room immersion. Ceiling walls have the same heat and weight considerations as standard panels, plus added cooling needs because heat rises. We engineer rigging plans, get them signed by a certified rigger, and run dedicated power tails to each section. Common at fashion launches, gallery openings, and high-end private events.
P1.5 and P2.6 panels engineered for camera work. Refresh rates above 3,840 Hz to eliminate scan lines on camera. Color-accurate gamut, low Delta E, and processor pipelines that hand off cleanly to Unreal Engine or Notch. We build XR volumes for music video shoots, broadcast sets, commercial production, and corporate keynote backdrops where the wall ends up on a livestream. Same crew operates the volume and the cameras' genlock.
Truck-mounted LED that arrives on its own wheels. Hydraulic lift raises the wall to viewing height, onboard generator handles power, and the unit drives away at strike. Standard configurations are 10x6 ft up to 16x9 ft. We deploy mobile units for sports tailgates, street activations, parking lot screenings, sponsor takeovers, and any remote shoot where load-in to a venue isn't an option. Same-day setup, drive-away strike.
We don't publish a rate card because two events with the same square footage rarely cost the same. What drives the number: pixel pitch (for LED), fixture density (for lighting), engine + camera count (for XR), permitting (for SFX), and how much load-in lives inside our 24-hour window. Tell us what you're building and we'll come back with a number engineered to it.
Want a directional estimate before you brief us? Run the LED Wall Calculator — it returns panel count, weight, power draw, and a band you can sense-check internally before you send us a brief.
No surprise line items. The bid you sign is the show you get. Here's what lands on every truck for every quote we send.
Our LA dispatch covers every working venue from the harbor up through Pasadena. Same-week bookings are routine in these neighborhoods because we know the load-in docks, the power tap locations, and the venues' union rules by heart.
Same panels, different rigs and run-of-show approach. Each market below has a dedicated page with the specifics — call patterns, crew scaling, and lead times.
We own the audio, LED, lighting, rigging, power, and playback. One vendor, one bill, one crew on radios at load-in. You don't spend the day mediating between an LED house, a sound house, and a freelance video tech who all blame each other for missed cues. Full service list.
Our founder built every show on the company's resume. The bid you get is reviewed by someone who has personally rigged the wall, run the processor, and operated the playback. That's why edge cases — venue power quirks, last-minute content swaps, weather calls — get answered in minutes, not by an account exec via email chain. How we work.
Send venue, dates, and a rough wall size. You get a real bid inside 24 hours on a business day — not a brochure, not a sales call. We respect that you're running a show clock, and we keep our side of that clock fast. Inspired? Let's work together..
We start with discovery — a 20-minute call to understand the room, the run-of-show, and the look you're after. From there we do a site visit (or virtual walkthrough) to verify load-in, power, rigging points, and sightlines. That feeds an engineering document with fixture or panel counts, crew, transport, and any permitting. The fixed quote follows the engineering doc, line-itemed so you can see exactly where each number lands. No surprise add-ons after signature.
Indoor panels are brighter per dollar and use finer pixel pitches (P1.5 to P3.9 is typical). Outdoor panels are IP65-rated for rain, dust, and direct sun. They push 5,000 nits or higher to fight daylight and use ruggedized power inputs. Outdoor panels are heavier per square foot, draw more power, and cost more per panel. We pick the panel by where the wall lives, not by the line-item budget — putting an indoor panel outside ends the rental in one storm.
Pixel pitch is the distance in millimeters between LED dots. Smaller number means tighter pixels and a closer minimum viewing distance. Rule of thumb in feet: minimum viewing distance equals roughly the pitch in millimeters. So P2.6 reads clean from 8 to 10 feet, P3.9 from 13 feet, P6.9 from 22 feet, P10 from 30+ feet. For broadcast, IMAG, or in-camera VFX, drop to P1.5 or P2.6. For festival mainstages where the front rail is 20 feet from the wall, P3.9 or P4.8 is the sweet spot. Our LED Wall Calculator does the math for you.
Yes. Our standard quote is a one-day event rental that includes prior-day load-in, day-of operation, and same-night or next-morning strike. Most LA venues let us in the night before for build and content load. If your event is multi-day, scope discounts apply after day three. Same-week rush bookings are routine — if you can get us a venue address, dock access, and a power tap location, we can usually mobilize inside 72 hours.
Panels, processors, support frame or ground-support tower, rigging hardware, signal cabling, power distribution tail, content QC pass, redundant playback, on-site technician through the entire show, and content load with a tech rehearsal window before doors. The quote also covers transport, fuel surcharge, and load-in or load-out crew hours. Permits and union labor are passed through at cost when the venue requires them. No surprise line items — what's on the bid is what runs.
Yes. Our crew handles processor operation, playback, and live show op as part of every rental. We run redundant playback servers — main and backup, hot-switchable — so a single hardware fault never takes down the wall. We can also build custom content from a brief, color-correct your supplied content to match the panels, and operate Unreal Engine or Notch for real-time virtual production. Content QC happens during load-in, never live.
Same business day for any LA-area event with a known venue and date. Send us the venue, dates, screen size or content brief, and any rigging or power constraints, and you'll have a real bid back the same day. Complex multi-wall builds, virtual production volumes, or projects requiring custom fabrication may need an additional 24 hours for a final number, but you'll have a budget range inside 24 hours.
Our smallest stocked configuration is a 10 by 6 foot indoor wall, which is roughly 18 panels at standard 500x500mm panel sizes. We can also build smaller — single-column DJ riser walls, vertical IMAG side panels, kiosk-scale 4x6 ft units — for brand activations and intimate stages. There's no minimum panel count, but scope flattens below the 10x6 mark because crew and processor costs stay the same regardless of how small the wall is. See past projects for examples.
