01 / Line Array PA↗
L-Acoustics. d&b. Meyer.
K2, Kara, KSL, KS28 — designed in Soundvision, tuned with Smaart.
- Delay towers for amphitheaters
- DiGiCo, Avid, Yamaha desks
Los Angeles · Concert Production · Touring · Since 2019
Tours. Festivals.
Tours. Festivals.
Residencies.
Line arrays, movers, LED backwalls, IEM — run by engineers who've lived on buses. Sunset clubs to the Bowl to festival lots.
2–6wk
Typical club/theater advance
20K
Cap. festival mainstage
ETCP
Certified riggers
1
Invoice, one crew
What we bring
Festival-grade, every night.
Six departments that ship together. Everything on the plot is ours, deployed by the same crew.
02 / Moving Lights↗
Claypaky. Ayrton. Robe.
Mythos, Sharpys, Esprites, MagicPanels — pre-viz'd in Capture, busked in MA3.
- Pixel kinetics & strip
- LD & programmer on staff
03 / LED Backwalls↗
Walls that read from row 40.
ROE Black Pearl, Absen, Unilumin — 2.6mm indoor to 5.9mm IP65 festival, Brompton processed.
- disguise / Resolume / Notch
- Custom content build
04 / IMAG & Camera↗
IMAG that doesn't look like IMAG.
Multi-cam Blackmagic and Sony, Carbonite switching, color-corrected per camera.
- 3–8 camera rigs
- ISO record & recap edit
05 / IEM & RF↗
Wireless that holds.
Shure Axient Digital, PSM 1000 — RF scanned before load-in, not after talent is in the wings.
- Up to 48 RF channels
- Dedicated RF tech, spare packs
06 / Staging & Rigging↗
Built to rider, signed by ETCP.
StageRight, TAIT, Layher — load calcs on every motor, signed by an ETCP rigger.
- Truss & ground support
- Scenic fabrication
Venue scale
Right-sized for the room.
Inventory and crew shape for a one-night, one-support show. Everything scales from here.
Club · 200–700 cap↗
The Roxy. Troubadour. Moroccan.
Point-source PA, 12–16 movers, FOH and MON engineer.
- d&b Y7P / L-Acoustics X15
- Scoped to room and rider
Theater · 1,200–2,500↗
The Novo. Wiltern. Belasco.
Flown K2 / GSL, 40–60 movers, 16–24ft 3.9mm LED, IMAG.
- LD + programmer + content op
- Scoped to room and rider
Amphitheater · 5K–18K↗
The Greek. Hollywood Bowl. The Ford.
K1 / KSL with delay towers, 80–140 movers, 30–40ft LED plus side IMAG.
- ETCP rigger + PM
- Scoped to venue and plot
Arena · 10K–20K↗
Kia Forum. Crypto.com. Peacock.
Tour-scale rig, 200+ fixtures, stage LED plus flown IMAG, automation.
- Broadcast IMAG, ISO record
- Quoted to rider
Festival Mainstage · 15K+↗
Grand Park. Expo. Rose Bowl.
Flown festival rig, 60ft+ IP65 LED, 20-min changeovers, redundant genset.
- Broadcast feed & stream ready
- Festival day rate on brief
Residency / Tour↗
Same rig. Same crew. Every stop.
Multi-night residencies or national runs out of LA — trucking and travel in one number.
- Tour advancing & routing
- Weekly rate on multi-date
How a show gets built
From the advance
to the strike.
Shows fail at the seams. We own every seam — one PM from first call through truck-pull at 3 a.m.
01 / Pre-production
Advance, design, pre-viz
Rider parsed, CAD stage plot, rigging plot, Capture pre-viz — signed off before a truck rolls.
02 / Load-in
Rigging, PA, lights, video
Motors up, then truss, PA, lighting, LED. Soundcheck protected on the schedule.
03 / Show
FOH, MON, LD, caller on comms
Show caller on headset, lighting busked live — we read the room.
04 / Strike
Out clean, no damage
Venue-agreed window. Recap stills and multitrack to management before coffee.
Featured work
What this looks like.
Historic Hollywood theater · Residency
3-night run. One rig.
L-Acoustics K2 mains, 52-fixture rig, 20ft ROE 3.9mm backwall, multi-cam IMAG. Same crew all three nights.
See the case →LA amphitheater · Headline night
5,900 seats. Broadcast out.
K1 mains plus delays, 132-fixture rig, 40ft flown LED, 6-cam broadcast to the label.
See the case →Elysian Park · Festival mainstage
14k capacity. 20-min changeovers.
Two-day DTLA festival, 8 acts/day. 72 K1 boxes, 60ft IP65 LED, zero tech pulldowns.
See the case →Concert FAQ
Things artists &
promoters ask.
Specific to concerts. General questions are on the main FAQ.
How much does concert production cost in LA?
Every show is engineered to its room. Club, theater, amphitheater, arena, and festival mainstage scopes each draw on different inventory and crew. Send the rider and we engineer the quote to it.
Do you tour out of Los Angeles?
Yes. Same engineers from LA to the last date. We advance, route trucks, book travel — one contract.
Can you match an artist rider?
Default. Line-itemed against our inventory; rare irreplaceable items are cross-rented and folded into one invoice.
Which LA venues do you load into?
Roxy, Troubadour, Novo, Wiltern, Orpheum, Belasco, Greek, Bowl, The Ford, Crypto.com, Kia Forum, Peacock — plus Grand Park, Expo, Rose Bowl lots.
How early should we book?
2–6 weeks for club and theater; 90 days for amphitheater and festival. 72-hour rush turnarounds possible — call us.
Book a show
Tell us the date
and the venue.
Send the advance — real number and crew list in 4 hours.