01 / Processor↗
Brompton Hydra
Tessera-driven full volume. Per-panel shader data on file. Genlock tri-level from your camera plate. Dynamic PureTone, Dark Magic, ThermalCal all live.
- Tessera SX40 / Hydra H16
- Per-panel calibration stored
For DPs & cinematographers · Los Angeles
Camera accurate.
Camera accurate.
Volume ready.
A technical spec sheet, not a sales page. The processor stack, trackers, camera configs and on-set operators we standardize on — so your first day inside our volume feels like your tenth.
7680Hz
Panel refresh min
3
Tracker systems
UE5.5
Operators on staff
ACES
AP0 / AP1 pipeline
Camera-accurate LED
Processor stack in plain English.
We run Brompton Hydra end-to-end. Calibration, color pipeline, and genlock are non-negotiable; if any one is off, everything you light is off. Here's the config we hand your DIT on day one.
02 / Color↗
OCIO · ACES AP0/AP1
Full OpenColorIO config. ACES AP0 working, AP1 for display-referred deliverables. sRGB, Rec.709, Rec.2020, P3-D65 output transforms on tap for monitoring.
- OCIO v2 pipeline
- ACES 1.3 CTL
03 / Sync↗
Tri-level genlock
Camera-driven genlock, tri-level sync reference in and out. Refresh adjustable from 3840Hz baseline up past 7680Hz for high-speed work. Zero black-frame at 180-degree shutter.
- 23.976 / 24 / 25 / 29.97 / 48 / 50 / 60
- High-speed modes on request
Tracking & camera
The right tracker.
No tracker is universal. Heavy-lens studio work wants a StarTracker. A ceiling-tracked stage room wants RedSpy. A fast, light prep day wants Mars. We spec to the camera package — not the sales quota.
01 / Mo-Sys StarTracker
Heavy bodies, long lenses
Ceiling-star pattern tracking — works with big dolly rigs, long primes, handheld transfers. Our default for Alexa 35 + Signature Primes.
02 / stYpe RedSpy
Studio runs, clean ceiling
Ceiling-fixed retro markers, active optical. Our choice for Venice 2 setups on fluid heads with stable ceilings and repeatable blocking.
03 / Vive Mars
Fast prep, tight budgets
Sub-30-minute tracker setup. Perfect for V-Raptor-on-Ronin commercial days and one-day inserts where prep time is the constraint.
04 / ARRI Alexa 35 / Mini LF
Named config on file
Shader preset, tri-level sync, LogC4 ACES transform. Our FlickerFixer/moire settings are pre-baked per sensor.
05 / Sony Venice 2
Named config on file
X-OCN to ACES AP0 route, 8K full-frame and 6K cropped modes. Black-level compensation for Venice's deep shadow profile.
06 / RED V-Raptor
Named config on file
R3D to IPP2, HDRX handling, moire-safe refresh for 8K VV sensor. V-Raptor [X] global shutter configs tested.
Pre-viz & day-of
From scout to rushes.
Your content doesn't stop being a creative tool when you step on stage. We bring an Unreal operator to set who answers to the director and the DP — not to the LED panel vendor.
01 / Pre-viz↗
Unreal Engine 5.5 on set
UE 5.5 with nDisplay, working against your tracker's feed, running in lockstep with camera. Nanite, Lumen, virtual textures, MetaHumans — whatever the plate demands.
- nDisplay cluster 4–8 nodes
- Live camera frustum rendering
02 / Playback↗
disguise gx / vx
disguise gx 2c or vx 4+ for plate playback, ProRes 4444 XQ or DPX masters. Frustum pass + environment pass synced to Mo-Sys or RedSpy.
- Designer 3 session on file
- Failover pair, always
03 / LUT↗
Per-scene LUT matching
Your show LUT lives in our pipeline so what you judge on the near-set monitor is what the wall is outputting — minus normal panel tolerances documented per calibration.
- .cube / .clf
- Matched Looks on request
04 / Iteration↗
DP-led content changes
Warmer, darker, push the sun five degrees west — our UE operator works from the DP's mouth, not from a ticket queue. Adjustments happen between takes, not between days.
- Live parameter exposure
- Director-cam pre-views
05 / Data↗
Metadata capture
Per-take tracker data, camera metadata, scene parameters captured and exported per camera roll. Your editorial team gets a metadata packet with the rushes.
- USD / FBX export
- Linked to camera reel
06 / On-set crew↗
Volume engineer on call
Dedicated volume engineer on the floor with you — calibration checks at first light, between reels, and on request. No "call the vendor" chain of command.
- Engineer + operator pair
- Panel spares on site
Spec a shoot
Send us the plate.
Camera package, lens range, shoot days, and your ideal content approach. We'll come back with a volume spec matched to your DP book — not to a stock package.