A cross-section of AnyDay Live projects from 2019 to today — club residencies, drive-in runs, LED volumes, estate weddings, brand activations, festival mainstages. Real neighborhoods, real gear, written by the people who loaded them in.
AnyDay Live has been producing in LA since 2019. The projects below are a representative cross-section from that run — club dates, product launches, commercial volumes, estate weddings, experiential one-offs — spanning the pandemic drive-in era through the LED-volume boom through today's real-time generative content.
We publish a cross-section, not the full list. For NDA reasons a lot of our feature and commercial work stays off the public page. Ask us on a call and we'll walk the real catalogue: show names, roles, gear touched. No PowerPoint, no sizzle reel — just the receipts.
A cross-section spanning six years — from 2019 private tour dates to pandemic-era drive-ins, virtual production shorts, immersive brand activations, festival mainstages and 2026 residency runs. Real LA neighborhoods, real crew, real gear.
One of the earliest residencies under the AnyDay Live name. Four-night run for a touring indie act in a restored West Adams theater. House Kara II supplement, small mover package upstage, first show file the company ever shipped.
When live rooms closed, we pivoted a Century City enterprise keynote to a studio-based hybrid shoot inside 72 hours. Two-camera IMAG, broadcast-grade encode to a 2,400-seat remote audience, live Q&A piped to the stage monitors.
Pandemic-era concert series in a Pasadena lot converted to a drive-in. L-Acoustics line-array mains broadcast to 220 cars via FM short-range transmitter, a 40-ft IP65 outdoor LED wall for IMAG, six consecutive Sunday nights with rotating headliners.
The build the company is known for. Five-night residency in a DTLA warehouse where the headliner's pulse and motion data drove a live Notch + TouchDesigner pipeline onto a 32-ft LED backwall in real time. As far as we can tell, the first of its kind in LA.
Our first feature-facing LED volume day. Indie sci-fi short on a 24-ft curved 2.3mm wall at a Hollywood soundstage, UE5 canyon environment on plate, Mo-Sys StarTracker on A-cam. Every environment that would have been second-unit stayed in-camera.
National auto commercial over two shoot days on a 32×14-ft curved 1.9mm wall plus 20×10-ft ceiling. UE5 coast environment driving real-time reflections in the windshield, Brompton Hydra color-matched to ARRI Alexa 35 LogC4. Greenscreen line cut from post.
Four-day pop-up brand activation in a raw-shell Arts District warehouse. 360-degree projection mapping across three rooms, generative content responding to ambient room traffic, 22-fixture architectural uplight, L-Acoustics point-source hidden in scenic plinths.
Two-day downtown festival, eight acts per day sharing one rig. 72-box L-Acoustics K1 across mains, side hang and delays. 60 ft of 5.9mm IP65 outdoor LED, festival patch with per-headliner show files, 20-minute changeovers held clean both days.
One-day in-camera VFX shoot for an R&B single on a 32-ft flat 2.3mm volume. Notch real-time particle systems tracked to camera, practicals from the grip package, RED V-Raptor on gimbal. Video released 72 hours after wrap — zero post comp.
200-guest ceremony and reception on a cliffside Malibu estate. 64 architectural uplights, pin-spots on 14 florals, point-source PA hidden in plinths, custom 24-ft LED dance floor, silent DJ booth for the late-night set inside the PCH amplified-music cutoff.
Indie-headliner three-night residency in a historic Hollywood theater. L-Acoustics K2 mains with Kara fills, 52-fixture mover rig, 20-ft ROE 3.9mm backwall, multi-cam IMAG to side screens. Same crew all three nights, one locked show file.
Release night for a rising LA artist in a raw-shell DTLA warehouse. Flown 16×9-ft 3.9mm LED backwall, 14-ft band riser, Notch-driven intro cue synced to playback, pyro-safe haze, livestream to Twitch for global release-day audience.
Beyond AnyDay Live projects, the people on our call sheet bring in pre-2019 credits from major LA shops, touring banners and rental houses. Here's the scope that shows up on every load-in.
Club runs, theater rides, arena support and festival side-stages — FOH, MON and LD roles under touring banners across the West Coast.
Technical direction and show calling for tech product launches, industry keynotes and gala fundraisers around Greater LA.
LED volume techs, Unreal operators, content ops on commercials, music videos and episodic work across LA-area soundstages.
Lighting design and AV management for high-end weddings, milestone birthdays and private foundations from Malibu to Pasadena.
Every project above was built on the same four rules. They're not a brand pillar deck — they're just how the crew works, every show.
The tech on the scoping call is the tech on your load-in. No bait-and-switch, no surprise subs.
Backup mics, backup playback, spare panels. Quiet insurance on the loud show days.
Starting-at numbers on the services page. No hidden upcharges at the bottom of the invoice.
Audio, lighting, LED, staging, content — all in-house. One call fixes anything.
We'd rather walk a show list on the phone than sell you a sizzle reel. Fifteen minutes, no pitch, just shop talk.