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Work · Projects · Crew credits · 2019–2026

Six years of shows.
One crew. One invoice.

A cross-section of AnyDay Live projects from 2019 to today — club residencies, drive-in runs, LED volumes, estate weddings, brand activations, festival mainstages. Real neighborhoods, real gear, written by the people who loaded them in.

12
Projects on record
4
Production verticals
'19
Shipping since
1
Crew, every show
Where we stand

Six years in. Real receipts.

AnyDay Live has been producing in LA since 2019. The projects below are a representative cross-section from that run — club dates, product launches, commercial volumes, estate weddings, experiential one-offs — spanning the pandemic drive-in era through the LED-volume boom through today's real-time generative content.

We publish a cross-section, not the full list. For NDA reasons a lot of our feature and commercial work stays off the public page. Ask us on a call and we'll walk the real catalogue: show names, roles, gear touched. No PowerPoint, no sizzle reel — just the receipts.

2019 → 2026

Projects on record.

A cross-section spanning six years — from 2019 private tour dates to pandemic-era drive-ins, virtual production shorts, immersive brand activations, festival mainstages and 2026 residency runs. Real LA neighborhoods, real crew, real gear.

West Adams · LA · 2019

First tour run — West Adams theater.

One of the earliest residencies under the AnyDay Live name. Four-night run for a touring indie act in a restored West Adams theater. House Kara II supplement, small mover package upstage, first show file the company ever shipped.

  • Crew of 6 · 4 consecutive nights
  • 900 cap · 85-min show
  • Kara II · DiGiCo SD12 · Hog 4
Century City · LA · 2020

Hybrid keynote pivot — Century City.

When live rooms closed, we pivoted a Century City enterprise keynote to a studio-based hybrid shoot inside 72 hours. Two-camera IMAG, broadcast-grade encode to a 2,400-seat remote audience, live Q&A piped to the stage monitors.

  • Crew of 8 · 1 rehearsal + 1 stream day
  • 2,400 remote · zero dropped frames
  • d&b Y-Series · Blackmagic ATEM · Riedel
Pasadena drive-in · 2021

Drive-in concert series — six Sundays.

Pandemic-era concert series in a Pasadena lot converted to a drive-in. L-Acoustics line-array mains broadcast to 220 cars via FM short-range transmitter, a 40-ft IP65 outdoor LED wall for IMAG, six consecutive Sunday nights with rotating headliners.

  • Crew of 9 · weekly changeover
  • 220 cars / ~650 guests each night
  • L-Acoustics K2 · ROE Vanish V18 IP65
DTLA · 2022

Biometric residency — DTLA.

The build the company is known for. Five-night residency in a DTLA warehouse where the headliner's pulse and motion data drove a live Notch + TouchDesigner pipeline onto a 32-ft LED backwall in real time. As far as we can tell, the first of its kind in LA.

  • Crew of 11 · 5-night run, rolling cues
  • 1,400 cap · biometric + motion capture
  • Notch · TouchDesigner · Brompton Tessera SX40
Hollywood soundstage · 2022

Virtual production short — Hollywood volume.

Our first feature-facing LED volume day. Indie sci-fi short on a 24-ft curved 2.3mm wall at a Hollywood soundstage, UE5 canyon environment on plate, Mo-Sys StarTracker on A-cam. Every environment that would have been second-unit stayed in-camera.

  • Crew of 10 · 3 shoot days
  • UE5 operator + VAD + DIT liaison
  • ROE BP2V2 · Brompton SX40 · UE 5.1
Culver City · 2023

Auto spot volume — Culver City.

National auto commercial over two shoot days on a 32×14-ft curved 1.9mm wall plus 20×10-ft ceiling. UE5 coast environment driving real-time reflections in the windshield, Brompton Hydra color-matched to ARRI Alexa 35 LogC4. Greenscreen line cut from post.

  • Crew of 12 · 2 shoot days
  • UE5 operator + VAD + DIT liaison
  • Unilumin UpadIII H5 · Brompton SX40
Arts District · LA · 2023

Immersive activation — Arts District.

Four-day pop-up brand activation in a raw-shell Arts District warehouse. 360-degree projection mapping across three rooms, generative content responding to ambient room traffic, 22-fixture architectural uplight, L-Acoustics point-source hidden in scenic plinths.

  • Crew of 10 · 3-day build, 4 show days
  • ~3,200 guests across run
  • Panasonic RZ21K · Resolume · GLP impression X4
Elysian Park · LA · 2024

Festival mainstage — Elysian Park.

Two-day downtown festival, eight acts per day sharing one rig. 72-box L-Acoustics K1 across mains, side hang and delays. 60 ft of 5.9mm IP65 outdoor LED, festival patch with per-headliner show files, 20-minute changeovers held clean both days.

  • Crew of 18 · 2 build, 2 show, 1 strike
  • 14,000 capacity · 16 artist slots
  • L-Acoustics K1 · ROE Vanish V19 · MA3 full-size
Burbank · 2024

Music video volume — Burbank.

One-day in-camera VFX shoot for an R&B single on a 32-ft flat 2.3mm volume. Notch real-time particle systems tracked to camera, practicals from the grip package, RED V-Raptor on gimbal. Video released 72 hours after wrap — zero post comp.

  • Crew of 7 · 1 shoot day
  • 4 UE scenes · 9 performance takes
  • ROE BP2V2 · Brompton S8 · UE 5.4
Malibu oceanfront estate · 2025

Oceanfront estate — Malibu.

200-guest ceremony and reception on a cliffside Malibu estate. 64 architectural uplights, pin-spots on 14 florals, point-source PA hidden in plinths, custom 24-ft LED dance floor, silent DJ booth for the late-night set inside the PCH amplified-music cutoff.

  • Crew of 6 · 2 setup days + show
  • 200 guests · 10-hr runtime
  • L-Acoustics X8 · ETC Source Four LED
Historic Hollywood theater · 2025

Theater residency — three-night run.

Indie-headliner three-night residency in a historic Hollywood theater. L-Acoustics K2 mains with Kara fills, 52-fixture mover rig, 20-ft ROE 3.9mm backwall, multi-cam IMAG to side screens. Same crew all three nights, one locked show file.

  • Crew of 11 · 3 consecutive nights
  • 1,850 cap · 100-min show
  • K2 + Kara · DiGiCo Quantum · ROE Ruby 3.9
DTLA warehouse · 2026

Album release party — DTLA warehouse.

Release night for a rising LA artist in a raw-shell DTLA warehouse. Flown 16×9-ft 3.9mm LED backwall, 14-ft band riser, Notch-driven intro cue synced to playback, pyro-safe haze, livestream to Twitch for global release-day audience.

  • Crew of 9 · same-day load-in to show
  • 1,100 cap · 2-hr performance
  • INFiLED ER 3.9 · Notch · MA3 full-size
What else rolls in

The crew credits.

Beyond AnyDay Live projects, the people on our call sheet bring in pre-2019 credits from major LA shops, touring banners and rental houses. Here's the scope that shows up on every load-in.

01 · Concerts & Tours

Rooms from 250 to 50,000.

Club runs, theater rides, arena support and festival side-stages — FOH, MON and LD roles under touring banners across the West Coast.

  • LA venues: Orpheum, Regent, Wiltern, Fonda
  • Festival side-stages across SoCal
  • Line array system tech credits
  • Monitor engineering, 12+ IEM mixes
02 · Corporate & Brand

Keynotes & launches.

Technical direction and show calling for tech product launches, industry keynotes and gala fundraisers around Greater LA.

  • Convention centers & hotel ballrooms
  • Show caller / TD credits
  • Hybrid & broadcast builds
  • disguise timeline programming
03 · Film / TV / VP

Volume days & commercials.

LED volume techs, Unreal operators, content ops on commercials, music videos and episodic work across LA-area soundstages.

  • Unreal 5 + nDisplay operator hours
  • Brompton Hydra color matching
  • Mo-Sys camera tracking setups
  • DP / VAD liaison on set
04 · Weddings & Private

Oceanfront to estate.

Lighting design and AV management for high-end weddings, milestone birthdays and private foundations from Malibu to Pasadena.

  • Malibu & Pacific Palisades estates
  • Beverly Hills & the Hills
  • Hotel Bel-Air, MPC, Vibiana
  • Discrete, silent-operator packages
How we think about a show

The approach.

Every project above was built on the same four rules. They're not a brand pillar deck — they're just how the crew works, every show.

01 / Crew first

Quote to strike

The tech on the scoping call is the tech on your load-in. No bait-and-switch, no surprise subs.

02 / Redundant

Everything twice

Backup mics, backup playback, spare panels. Quiet insurance on the loud show days.

03 / Honest specs

Published anchors

Starting-at numbers on the services page. No hidden upcharges at the bottom of the invoice.

04 / One invoice

No chain of blame

Audio, lighting, LED, staging, content — all in-house. One call fixes anything.

Want the receipts?

Call us. We'll walk you through it.

We'd rather walk a show list on the phone than sell you a sizzle reel. Fifteen minutes, no pitch, just shop talk.

Call 213.726.9335 Start a project
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