Investor day production in Los Angeles for analyst days, capital markets days, IR broadcasts, and earnings-adjacent moments where the audience writes the note that moves the stock.
Broadcast-quality multi-cam, redundant audio routing, SEC-aware show control, archive-grade record of every spoken word, and a stage tuned for clarity over spectacle.
What the analyst writes down is the only metric.
Every transition, every slide reveal, every speaker handoff timecoded. grandMA3 driving the lighting and IMAG cues, locked to a master TC running on a Blackmagic ATEM. The CFO can pause for fifteen seconds mid-slide without the stream stalling, the lighting drifting, or the camera cutting away. A controlled environment lets a careful answer stay careful.
So a pause reads as a pause. Not a glitch.
Sony FX9 or Sony Venice 2 multi-cam with Ross Carbonite or Blackmagic ATEM Constellation. Clean program, ISO record, dirty IMAG, and a mastered broadcast feed delivered to the brand's CDN or directly to a private SRT endpoint. Analysts joining from a Bloomberg terminal see the same fidelity as the analysts in the room.
So the stream watches like a financial network feed.
Yamaha Rivage PM7 with two separate mixes — house and broadcast. Shure Axient Digital wireless on talent, redundant lavs on every speaker, multi-track ISO record of every microphone independently. Word-accurate transcript delivered inside twenty-four hours, speaker-tagged, time-coded, and aligned to the camera ISO files.
So IR counsel reads what was actually said, not what was almost said.
A single time-stamped archive deliverable handed to the brand's IR team inside twenty-four hours: program record, ISO cameras, ISO audio, transcript, slide deck synchronized to timecode, and an audit log of every cue called. The brand's SEC team and IR counsel can flag any moment for redaction or correction before the public replay goes live.
So tomorrow's compliance call is a one-folder conversation.
A capital markets day for a Fortune 500 media company at a Beverly Hills hotel, with seventy-five sell-side analysts in the room and four hundred on the stream.
75 in-room · 400 streamAn IR broadcast for a public biotech from a Culver City soundstage, scientific dossiers reviewed line-by-line with the SEC team before the replay went public.
120 analysts · 24h archiveA pre-IPO analyst day for a Santa Monica fintech, embargoed press in the room, public replay scheduled for thirteen hours later under counsel review.
60 in-room · embargoAn earnings-adjacent briefing for a streaming platform, a sit-down conversation between the CEO and an analyst panel, recorded for the IR replay vault.
40 analysts · panel formatA multi-segment investor day for a hardware company, three product unit heads, three breakout sessions, one cohesive archive package.
3 segments · 180 analystsThe same crew that runs a sixty-person pre-IPO analyst day with a private SRT stream runs a four-hundred-analyst capital markets day with a public broadcast and a dozen breakouts. The variables change. The discipline does not. Every microphone on ISO. Every camera on ISO. Every cue timecoded. Every word transcripted.
Investor day production in Los Angeles is a discipline before it is a service. The room is built so that the CFO can answer a hard question without the stage doing anything theatrical. The lighting is calm. The cut is patient. The stream is clean. The archive is exhaustive. The audience leaves with a note that quotes the company correctly.
For a Beverly Hills capital markets day with seventy-five analysts in the room and a public stream, that is typically a single 4K rear LED for slides, an L-Acoustics Kara II flown PA tuned for speech intelligibility, a six-camera Sony FX9 broadcast package, Shure Axient Digital RF with redundant lavs on every speaker, and a multi-track Pro Tools session capturing every input independently.
For a private analyst panel in Culver City with forty in the room and a private SRT feed to embargoed press, the rig flexes smaller — but the archive standard does not. The deliverable is still a time-stamped multi-track package, speaker-tagged transcript, and an IR counsel review window before the public replay. Same discipline, sized to the room.
The audience writes notes that move a stock. Every word said on stage becomes part of the public record the moment the stream goes live. The room is engineered for clarity over spectacle: intelligible audio, broadcast-quality multi-cam, time-stamped record of every line, and a controlled environment where the CFO can pause mid-slide without it looking like a glitch.
Multi-track ISO record on every camera and every microphone, mastered into a single time-stamped archive deliverable inside twenty-four hours. Word-accurate transcript, speaker-tagged, attached. The brand's IR counsel and SEC team get the raw record before the public stream goes to replay — so corrections, redactions, or 8-K-relevant moments can be flagged before they leak.
Sony FX9 or Sony Venice 2 multi-cam, Yamaha Rivage PM7 audio, Shure Axient Digital RF, calibrated key light at 5600K, and a clean cut to SDI for the brand's CDN. The stream looks like a financial network feed, not a webinar. Analysts who join from Bloomberg terminals or trading desks see the same fidelity as the room.
Yes. The main stage is one room. The breakout sessions are typically four to eight smaller rooms with the same recording discipline and the same RF coordination. One-on-one analyst meetings get a dedicated quiet recording rig — same gear class as the main stage, same archive standard.
Email hello@anydaylive.com with the company stage (pre-IPO, public, dual-listed), venue or city, the headcount split between analysts in the room and on the stream, and a one-paragraph brief on the narrative the day has to land. We come back inside one business day with questions, a draft scope, and the names of the people who will actually be in the room.
Send the brief. We'll send back the room — and the record.
Start a brief →