Pioneer CDJ-3000 and DJM-V10 club rigs, DJM-A9 corporate booths, Allen & Heath Xone for analog-leaning riders, Technics turntables for hybrid sets. Booth built, FOH-fed, and tech-checked before doors. 24-hour response.
Club rigs, festival booths, corporate DJ stations, and hybrid Pioneer + Allen & Heath splits — stocked in LA and ready for same-week dispatch. Every booth ships with monitor wedges, cable runs, and a tech who has rigged it before.
Pair of Pioneer CDJ-3000 players plus a DJM-V10 six-channel mixer. The current club standard worldwide — rekordbox-ready over USB or Pro DJ Link Ethernet. Booth wedge monitor included.
Quad CDJ-3000 with a DJM-A9 mixer for fast back-to-backs, plus a second DJM-V10 on a B-stage swap rack. Hot-spare CDJ-2000NXS2 within reach. Booth limiter and FOH feed pre-tuned.
One CDJ-3000 pair, a DJM-900NXS2 mixer, a Pioneer XDJ-RX3 backup for the resident DJ, plus a wireless mic for toasts. Scrim-skirted booth, clean cable run, dressed to your event design.
Technics SL-1200MK7 turntables in pairs, Pioneer DJM-S11 or Rane Seventy-Two battle mixer for Serato-leaning workflows, Allen & Heath Xone:96 for analog-club riders. Slipmats and needles included.
No substitutions on bid day. The model on the rider is the model on the truck.
CDJ-3000 is our current production standard — 24-bit/96 kHz output, full-color touch jog, key sync, eight cue and hot-cue buttons, Pro DJ Link over Ethernet for four-deck linking. We carry CDJ-2000NXS2 as backup and for budget-tier rigs. Every CDJ ships with USB sticks pre-formatted to rekordbox if the artist asks for them.
DJM-V10 is the six-channel club workhorse — booth-grade EQ, send/return for outboard effects, twin compressor circuits. DJM-A9 is the current four-channel flagship — Bluetooth and USB-C playback inputs added. DJM-900NXS2 stays in rotation for venues that haven't upgraded. DJM-S11 covers the Serato battle-mixer slot.
Xone:96 is the rotary-fader heritage choice — Burr-Brown analog filters, two USB cards, six channels. Xone:PX5 for hybrid four-channel work with analog filter and FX. Xone riders are a tell that the artist cares about feel, so we make sure the unit ships calibrated and the filter sweep is tight.
SL-1200MK7 in matched pairs, with Ortofon Concorde Mk II cartridges, slipmats, and 45 adapters. Direct-drive, pitch-locked, and built like the original. We also stock the heritage SL-1200MK5G units for vintage riders. Turntable booths usually pair with a Pioneer DJM-S11 or Rane Seventy-Two for Serato workflows.
Renting CDJs is the easy part. Getting the booth to the room cleanly is the work that earns the rebook.
Booth feed and master out. Every booth runs a balanced XLR master pair out to FOH, plus a stereo booth-monitor send tied to a wedge or in-ear feed. We coordinate gain structure with the FOH engineer at sound check, set the booth limiter on the master bus to prevent the artist from cooking the PA, and walk the DJ through the booth monitor knob behavior so they don't blow their own ears at line check. If the show runs AES digital out, we patch the AES pair and route through the FOH desk's digital input.
Pro DJ Link networking. CDJ-3000s and DJM-V10s/A9s talk over Ethernet — link four players plus the mixer, share track waveforms, sync BPM, and handle beat-match countdowns. For four-deck festival rigs we run a small managed switch in the booth and a tidy patch panel. No daisy-chain Ethernet — every link gets its own port.
rekordbox and Serato workflows. For rekordbox: USB sticks for the conservative path, Pro DJ Link over Ethernet for laptop-tethered sets. For Serato: a Pioneer DJM-S11 or Rane Seventy-Two with the artist's laptop and audio interface. We provide a hardwired booth power feed (no daisy-chained surge strips), an isolated USB-C laptop charger, and a backup audio interface hot-patched at the mixer.
Booth dressing and cable management. Black scrim on the front of the booth, black power cable through gaffer-tape runs, no exposed wall warts. For brand activations and weddings, we'll print a custom decal for the booth scrim or color-match the cable management to the event design. Booth-side lighting (LED tape under the mixer, a small accent on the artist's hands) is part of the standard build, not an upcharge.
We don't publish a rate card because two booths with the same parts list rarely cost the same. What drives the number: which Pioneer generation the rider specifies, whether the show needs hot-spare CDJs and a backup mixer, monitor wedge count, booth dressing and cable run complexity, FOH integration scope, and how much load-in lives inside our 24-hour window. Tell us what you're building and we'll come back with a number engineered to it.
Want a directional view before you brief us? Browse the full audio stack — booths, mixers, PA, and mics all live in one inventory so we can quote the whole signal chain end to end.
Our LA dispatch covers every club, ballroom, and outdoor stage from the harbor up through Pasadena.
Club nights, festivals, brand activations, and weddings each ask a booth for something different.
If the rider says CDJ-3000 and DJM-V10, that's what shows up. We don't substitute Pioneer for budget A-stock or downgrade mixers without a written sign-off. Full service list.
Booth limiter set, master gain coordinated with FOH, booth monitor wedge tuned, USB sticks formatted. The DJ walks up, plugs in their drive, and plays. How we work.
Send venue, dates, and the rider. Real bid back inside 24 hours on a business day. Inspired? Let's work together..
We start with the artist's tech rider — what they want on the platter, what they need in the monitor wedges, what bus they expect the master to feed. From there we map the booth to the room: CDJ-3000s and a DJM-V10 for a club night with rotating artists, a DJM-A9 if it's an Allen & Heath-leaning rider, a DJM-S11 with a single Pioneer setup for a turntablist. Booth-feed monitor wedges are sized to the riser. The quote follows the rider, line-itemed.
Pioneer is our backbone — CDJ-3000 (current production), CDJ-2000NXS2 as backup, and the full DJM mixer line: DJM-V10 for six-channel club work, DJM-A9 for the latest Pioneer A-series, DJM-900NXS2 for tour-standard four-channel, DJM-S11 for battle-mixer Serato workflows. We also stock Allen & Heath Xone:96 and Xone:PX5 for the analog-leaning crowd, plus Technics SL-1200MK7 turntables for hybrid sets.
Yes. Every CDJ-3000 booth ships ready for rekordbox via USB drive or laptop Pro DJ Link over Ethernet. For Serato, we provide DJM-S11s, Rane Seventy-Twos, and a hardwired audio interface routed through the booth. We can prep a venue with both rigs side by side for back-to-back sets between artists running different software — no swap-out between artists, no dead air.
That's the whole job. The booth master out routes to FOH via a balanced XLR pair (or AES if the rider requests), with a separate booth monitor send tied to a wedge or in-ear feed. We coordinate with the FOH engineer on gain structure during sound check, set the limiter on the master bus, and brief the artist on the booth monitor knob behavior. If the booth and FOH are different vendors, we still own the handoff. See the PA system page for the room side of that chain.
Most wedding and private event DJs work off a simpler rig — a single CDJ-3000 pair, a DJM-900 or DJM-A9, a powered monitor wedge, and a wireless handheld mic for toasts and announcements. We dress the booth (black scrim, on-brand decals if requested), build the cable runs cleanly, and tech-check before guest arrival. For the audio system around it see the PA System page and the Audio Mixer page.
Same business day for any LA-area event with a known venue, date, and an artist rider (or a description of the format if it's a corporate or private set). You'll have a real bid back the same day. Complex multi-stage festival DJ scopes may need an extra 24 hours for a final booth diagram, but a budget range lands same-day.
