Work · Studio Sketches

Production scenes, engineered.

AnyDay Live opened the studio in 2026. While we lock in our first named engagements, we render scenes — proof of how we think about live production. Real shows soon. These are the briefs, visualized.

Studio sketches, not case studies 5 scenes Los Angeles · 2026 Real engagements coming online

Sketch Index

Studio sketches and vision pieces below — real project work landing in this index as it ships.

Each scene below is a studio sketch: a Flux/Midjourney still that visualizes a brief we are built to deliver. The captions are the engagement type. The bodies are how we'd produce it. No client names, no fabricated metrics — just the work, framed honestly.

Studio Sketch · 01 SK-01 Studio sketch — aerial view of a warehouse stage build, magenta and violet LED wash, haze, structural truss.

Live Environment

Warehouse stage, fully engineered.

Studio sketch — warehouse stage design for a 4,000-cap brand activation.

A high-bay industrial room turned into a single-night build. Ground-stacked PA on delay towers, a center stage with rear-projection LED, side scenic panels carrying the brand language without a logo on the wall. The hard part is not the gear — it's the calendar. One load-in window, one rehearsal pass, one show, one strike. The brief earns its budget by treating power distribution, motor counts, and front-of-house lines as the first sketch, not the last. This is the kind of room we are built to scope.

Show Production LED Walls Lasers Stage Design Los Angeles

Studio Sketch · 02 SK-02 Studio sketch — keynote stage with immersive curved LED wall, deep magenta wash, structural haze.

LED Video

Curved wall, camera-calibrated.

Studio sketch — immersive LED wall content for a product launch keynote.

A keynote stage where the screen IS the room. Fine-pitch LED in a curved bay, Brompton Tessera SX40 driving the broadcast feed, content pre-vis'd against the camera package weeks before load-in. The brief lives or dies on color management: panel-to-panel calibration, gamma alignment between content master and broadcast switcher, a content pipeline that can survive a last-minute deck swap at rehearsal. We sketch the wall, the processor chain, and the broadcast path as one system. The CMO sees a stage. The studio sees the patch.

Product Launches LED Walls CG Generative Los Angeles

Studio Sketch · 03 SK-03 Studio sketch — generative matrix VFX on LED walls, magenta and violet vector geometry.

LED VFX

Real-time content, show-locked.

Studio sketch — generative matrix VFX for a conference plenary opener.

The plenary opener that doesn't loop. Notch and disguise driving real-time generative content into a wide LED proscenium, locked to a SMPTE-timecoded show file, busked under a programmed cue stack with safe-fallback frames if the engine ever drops. The hard part is rehearsing a system that's improvising — we pre-vis the math, build the cue list, and run the entire show twice before the room has its first attendee. The brief: a three-minute opener that earns the rest of the hour.

Show Production LED Walls CG Generative Los Angeles

Studio Sketch · 04 SK-04 Studio sketch — lighting design with violet and blue washes, lasers fanning over a haze-filled room.

Lighting & Atmosphere

Light, addressed.

Studio sketch — lighting design for a global all-hands.

The all-hands that doesn't look like a town hall. grandMA3 with redundant control, Robe MegaPointes on the upstage truss, Source4s for the keynote key, a low-angle haze layer that reads on camera without choking the front row. The brief is part theatre, part broadcast — the room has to feel like the inside of a film, the camera package has to read clean for the global stream, and the CEO has to stay lit when they walk the apron. Lighting design here is two designs at once, blended into one cue list.

Show Production Lighting Lasers Atmospheric Los Angeles

Studio Sketch · 05 SK-05 Studio sketch — DJ booth with CDJs and mixer, warm amber rim lighting, haze, crowd silhouette in background.

Performance Control

The command deck.

Studio sketch — DJ and playback backline for a corporate after-party.

The after-party that has to land after a four-hour keynote. Pioneer CDJ-3000s and a DJM-A9 on a custom plinth, redundant playback via Ableton with a hot-swappable backup, a monitor mix that lets the DJ work without the front-of-house pushing into the conversation zones. The brief is operational: a clean handoff from the keynote audio chain to the party audio chain, a backline that survives a guest DJ no one warned you about, and a room that quiets down on cue when the CEO wants to say one more thing.

Public Events DJ Backline Playback Los Angeles

Inaugural Engagement

Be our first named case study.

Named case studies matter to us because they're the only proof that survives the brand-creative-director scan. We're offering inaugural engagement terms to the first three projects that go on the public site under their real name: co-publishing rights on stills and edited cutdowns, transparent process notes from brief to strike, full production credit, and a project team credit block we publish with your sign-off. You see the studio. The studio sees the receipts.

The kind of project we'd put our name on first: a high-profile corporate keynote, an immersive brand launch, a flagship show with a real venue and a real date. LA-based or Vegas-deployed. Inside the next two quarters. If that's a brief you're holding — keynote, launch, all-hands, gala, activation, opening night — we want to see it. Send the scope and we'll come back with a treatment, a scoped quote, and a frank conversation about whether we're the right studio for it. Inside the week.

Inspired? Let's work together. Explore Services

Inspired?

Send a brief. We'll send a treatment.

What the event is, when it is, where it is, what it should feel like. We come back inside the week with a scope, a treatment, and a number — written for the brief, not the template.

Inspired? Let's work together. About the Studio